One of the most frustrating aspects of working in the serious art music business is the notion that a lot of work that you do should be done for free. This is born out by the ever dwindling pot of money which is designated for commissioning new compositions. Over the last few years, it has become noticeable that the amount of money spent on commissioning music is becoming more scarce. A commissioning report instigated by Sound and Music organisation (2013-14) stated that commissions are not a significant source of income for composers: 66% of composers stated that they do not find commissions to be a significant proportion of their income. Given that the respondents had an average of 2.65 commissions in 2013 with an average fee per commission of £1,392 it is easy to see why. They believe that conditions are getting worse: 49% of composers feel that there is less rehearsal/preparation time for new works. Although there are more commissions, the amount of money comp