Recently, I have discovered a fascinating revelation about the composers we admire so much. That behind many geniuses, there usually is a predecessor lurking in the background. It reminds of that often quoted phrase by Picasso A good artist borrows and great artist steals Now, I am not suggesting that the composers who I mention are stealing peoples' ideas - there is no evidence to support that fact. However, I am suggesting that the idea of a genius who came from nowhere may not be accurate. Let's take the case of Ernest Fanelli. Who? You might ask. He is a significant but unknown person in the development of impressionism. He is an Italian born composer living in Paris. He composed a good deal of 'new' music at the end of the nineteenth century. His ideas were quite radical; his instrumentation included harmonics, sul pont., he used wordless choruses. Unfortunately, he wasn't as talented a composer as Debussy and his music wasn'