Since the dawn of the twentieth century, there has been a prevailing belief that mass audiences are being driven away from what is often referred to as "modern music." But is there any truth to this notion? While it is undeniable that there is an inherent irony in music that challenges listeners, have audiences truly grown accustomed to music that is radically different? Furthermore, why does dissonant music struggle to gain traction and recognition, while the classics of the Romantic period continue to capture hearts? In this blog post, we delve into the complexities surrounding dissonance and its impact on modern music's reception by audiences.
The Challenge of Dissonance: You cannot deny that there exists a certain irony in music that dares to challenge conventional expectations. Audiences have become accustomed to a wide range of musical styles, often embracing the idea that "anything goes" in the realm of music. However, it is important to note that the most dissonant pieces of music seldom receive more than a single performance. Take, for instance, the works of Anton Von Webern, some of which are over a century old. Do amateur musicians frequently perform his compositions? The answer is regrettably no. Professional orchestras, on the other hand, often favor the mid-late Romantic composers, seemingly hesitant to explore the realms of ultra-modern music from the past two decades.
The Role of Media: In the landscape of music dissemination, radio remains one of the most influential platforms. However, producers and broadcasters often shy away from playing dissonant music, believing it to be unfriendly to most audiences. This creates a vicious cycle wherein poor education on dissonant music leads to inadequate media coverage, resulting in unfamiliarity among listeners. Consequently, the music receives a lukewarm reception, piquing little interest, and perpetuating the cycle of poor education.
The Shadow of Romantic Music: It is an arduous task to overshadow the allure of music from the Romantic period. The emotional depth and relatability of this genre have captivated people for generations, creating an unwavering love for its melodies. When contemporary music, often characterized by its esoteric nature, follows something so universally relatable, it faces an uphill battle. The stark contrast in styles may not have been the most prudent approach, leading to a potential lack of enthusiasm among audiences.
While it is tempting to conclude that dissonance has turned audiences away from modern music, the reality is more nuanced. The challenges lie in the intricate relationship between dissonance, education, media coverage, and the shadow cast by the beloved classics of the Romantic period. Breaking free from this cycle requires a concerted effort to foster a better understanding and appreciation of dissonant music. By promoting diverse musical experiences, encouraging open-mindedness, and bridging the gap between audience expectations and contemporary compositions, we can hope for a more inclusive and vibrant future for modern music